Reversing Service (Oreo) // Kendell Carter // 2017 // cast latex // 38.1 x 28.1 x 5.1 cm
Kendall Carter addresses relevant themes of race and identity in a new body of work shown at Edward Cella Art & Architecture in an exhibition titled “Marvel.” Perhaps one of the most powerful works is “Cranes for Solange,” where Carter displays white denim jeans hanging on hooks that are locked. Above the jeans is a bathroom sign that states “Rest Rooms,” “White” and “Colored.” This site specific installation harks back to a dark time in history whilst simultaneously illustrating the problems that still exist.
Cranes for Solange // Kendell Carter // 2017 // denim jeans, lightbox, ephemera, locks, brackets
Effigy for a New Normalcy VI (Accepting Greatness) // Kendell Carter // 2017 // gold-plated sneakers
From left to right (1) Waves for My People // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 71.8 x 57.8 x 5.1 (2) Thai Waves in Scandinavia // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 101 x 85.1 x 5.1 (3) Waves for Breakfast // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 118.8 x 95.9 x 5.1 cm (4) Waves on Beverly // Kendell Carter // 2017 // cast latex & aerosol float mounted in fame // 129.5 x 88.9 x 5.1 cm (5) Dirty Waves // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 137.2 x 121.9 x 5.1 cm (6) Waves for Amit // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 153.7 x 125.1 x 5.1 cm (7) Waves for McQueen // Kendell Carter // cast latex & aerosol float mounted in frame // 203.2 x 143.5 x 5.1 cm
