Tag Archives: LA

Féminaire

FullSizeRender 14.jpgMai-Thu Perret

32 glazed ceramics, 9 figures and 1 dog comprise the exhibition “Féminaire” at David Kordansky Gallery in Los Angeles. Artist Mai-Thu Perret uses artistic techniques such as ceramic, papier-mâché and wicker to create works that comment on female identity. Displayed on an elevated platform is “Les Guarillères,” which includes the 9 figures and 1 dog. Each figure is created with different materials yet as an ensemble they all appear as a contemporary army in modern clothing. The figures, and dog, all face the ceramic wall hangings. Like the figures, each ceramic is different. Some are smooth, others are more textural and many include mix colors.

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FullSizeRender 16From “Les guérillères” // Mai-Thu Perret // 2016

FullSizeRender 15From “Les guérillères” // Mai-Thu Perret // 2016

The Effect of Lightning on a Rainbow

iNight Flower (From Left to Right Blue, White & Pink) // Masood Kamandy // 2017 // dye-sublimation print on aluminum // 24 x 18 inches // edition 3

The world is filled with photographers. Everyone with a smart phone is a photographer whether they consider themselves to be one or not. Smartphones are something the average person carries with them everywhere. They use the camera, along with numerous photo editing apps, to document their lives in snapshots. Artist Masood Kamandy recognizes the importance of photographs in this smartphone generation. In a recent body of work, Kamandy created and designed his own photography app for the iPhone called “Oblique.” The app is available for download in the Apple App store for $1.99. The app essentially combines all photo processing into one step, compressing the image and causing the photographs to have distorted colors that swirl and blend. Some of his photographs were on view in Luis De Jesus Los Angeles Gallery in Culver City. Curious, I downloaded the app and decided to play around with some of my photographs. I took a snap of my backyard then used the filter features to warp my photo. The last three images are ones I created.

xHorizon (Dark) // Masood Kamandy // 2017 // dye-sublimation print on aluminum, 3 panels (triptych) // 16 x 12 inches each // edition of 3

uPurple // Masood Kamandy // 2017 // dye-sublimation print on aluminum // 36 x 27 in // edition of 3

eShear Matrix (White) // Masood Kamandy // 2017 // dye-sublimation print on aluminum // 24 x 18 inches // edition of 3

Rosa Yaghmai

dd.jpgZap a Gap // Rosa Yaghmai // silicone, silk, tulle, gap filler, pigment, bricks // 78 x 47.5 x 3.75 in // 2017

Recently on view at Kayne Griffin Corcoran Gallery in Los Angeles was an exhibition on Rosa Yaghmai’s work called “The Courtyard.” LA artist Yaghmai transformed the gallery space to create an indoor courtyard equipped with light-color changing benches and standing sculptures, made of mixed-media such as corrective lenses, which resemble trees.

ddd.jpg(L) Courtyard, Figerglass Bench // Rosa Yaghmai // fiberglass resin, UV LED lights // 18 x 72 x 20 in // 2017 (R) Imitation Crab // Rosa Yaghmai // silicone, quilting cotton, pigment, tin weave, bricks // 84.5 x 47.5 x 3.75 cm // 2017

f.jpgPipe #4 // Rosa Yaghmai // resin, corrective lenses, produce bags, aluminum, miscellaneous debris, steel, rust // 68 x 28.5 x 27.25 in // 2017

aaaLugi Luigi // Rosa Yaghmai // resin, plastic debris // 85 x 3.5 in // 2017

Shafted

FullSizeRender.jpg-15.jpegUntitled (Shafted) // Barbara Kruger // digital-print installation // 2008

Who knew riding in a elevator you could experience a work of art. In an enormous glass elevator at LACMA visitors have the opportunity to view a digital-print installation by Barbara Kruger. As the elevator ascends and descends riders catch glimpses of text, however the elevator car blocks words, compromising the entirety of the phrase. Kruger is known for juxtaposing imagery and phrases from everyday life, leaving the viewer to question the intended meaning.

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Picasso & Rivera

FullSizeRender.jpg-12.jpegPablo Picasso and Diego Rivera. Two artist living in different cities at the same time. What possibly could they have in common? Much more than you think. Despite Picasso living in Spain and Rivera living in Mexico, both artists were inspired by historical works (antiquities for Picasso, Mesomerica for Rivera) yet developed styles of 20th century modernism unique to them yet had remarkable similarities. Cubism is one such style painted by Picasso and Rivera. While Picasso is best known for his work in Cubism, as he is considered one of the founders of the movement, Rivera also made great strides in his cubist pieces. This can best be exemplified in Picasso’s Man with a Pipe (Homme au chapeau melon assis dans un fauteuil) and Rivera’s Sailor at Lunch (Fusilero marino).

FullSizeRender.jpg-9Portrait of Sebastià Junyer Vidal // Pablo Picasso // oil on canvas // June 1903

FullSizeRender.jpg-8The Era (La Era) // Diego Rivera // oil on canvas // 1904

FullSizeRender.jpg-11Man with a Pipe (Homme au chapeau melon assis dans un fauteuil) // Pablo Picasso // oil on canvas // 1915

FullSizeRender.jpg-7Sailor at Lunch (Fusilero marino) // Diego Rivera // oil on canvas // 1914

FullSizeRender.jpg-10Woman in a Blue Veil (la femme au voile bleu) // Pablo Picasso // oil on canvas // Fall 1923

FullSizeRender.jpg-6(L) Seated Standard Bearer // Mexico, Aztec, Veracruz, 1250-1521 // sandstone, laminated (R) Frida’s Friend (El Amigo de Frida) // Diego Rivera // oil on canvas // 1931

 

Museum of Ice Cream

FullSizeRender 4 copy.jpgWho doesn’t love ice cream? And a museum dedicated to ice cream? Well guess what, there is such a thing. It is called The Museum of Ice Cream and it has officially come to LA! Each room of the museum is dedicated to a different aspect of ice cream – from local creameries, to gummy bears, to sherbet, to banana splits to a sprinkles pool. Various artists created immersive installations inspired by ice cream. Artists include Abel Bentin, Baker’s Son, Drew Billiau and David Guinn, Jourdan Joly, Lizzie Darden and Ramzy Masri. My favorite room, the sprinkles pool.

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FullSizeRender 7Abel Bentin

FullSizeRender 6Mario Marsicano // Jellio

FullSizeRender 10Baker’s Son

Jason Rhoades

FullSizeRender 6 copy 3.jpgTijuanatanjierchandelier // Jason Rhoades // mixed media // 2006

In an immersive exhibition of six installations is “Jason Rhoades: Installations, 1994-2006” at Hauser & Wirth Los Angeles. Each room is composed of one installation. Visitors are allowed to walk through the installations. In some of the rooms the blue print drawings of the work are on view, showing the artistic process of Rhoades. His works are politically charged relating to issues of stereotypes of cultures and women. My favorite work is “My Madinah. In pursuit of my ermitage…” The interactive installation pays homage to Rhoades’s own pilgrimage from Los Angeles to Mecca, California. This work resembles a temple and a mosque as it provides a critical commentary on how society perceives temples and mosques. The floor is made of overlaid towels held together with what appears to be drizzled glue. Visitors are invited to walk barefoot across the floor, seeing the work from different angels. Various ceramic objects, a box and a stool are located on the carpet. Suspended from the ceiling are 240 neon lights with crude phrases for female genitalia such as “magic cave,” “tuna taco,” “pussy” and “hot rocket.”

FullSizeRender 4Tijuanatanjierchandelier // Jason Rhoades // mixed media // 2006

FullSizeRender 6 copySwedish Erotica and Fiero Parts // Jason Rhoades // mixed media // 1994

FullSizeRender 7 copySwedish Erotica and Fiero Parts // Jason Rhoades // mixed media // 1994

aMy Brother / Brancuzi // Jason Rhoades // mixed media // 1995

aaMy Brother / Brancuzi // Jason Rhoades // mixed media // 1995

FullSizeRender 6 copy 2The Creation Myth // Jason Rhoades // mixed media // 1998

sdfThe Black Pussy…and the Pagon Idol Workshop // Jason Rhoades // mixed media // 2005

dThe Black Pussy…and the Pagon Idol Workshop // Jason Rhoades // mixed media // 2005

eMy Madinah. In pursuit of my ermitage… // Jason Rhoades // mixed media // 2004

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My Madinah. In pursuit of my ermitage… // Jason Rhoades // mixed media // 2004

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My Madinah. In pursuit of my ermitage… // Jason Rhoades // mixed media // 2004

 

Marvel

oReversing Service (Oreo) // Kendell Carter // 2017 // cast latex // 38.1 x 28.1 x 5.1 cm

Kendall Carter addresses relevant themes of race and identity in a new body of work shown at Edward Cella Art & Architecture in an exhibition titled “Marvel.” Perhaps one of the most powerful works is “Cranes for Solange,” where Carter displays white denim jeans hanging on hooks that are locked. Above the jeans is a bathroom sign that states “Rest Rooms,” “White” and “Colored.” This site specific installation harks back to a dark time in history whilst simultaneously illustrating the problems that still exist.

pCranes for Solange // Kendell Carter // 2017 // denim jeans, lightbox, ephemera, locks, brackets

ooEffigy for a New Normalcy VI (Accepting Greatness) // Kendell Carter // 2017 // gold-plated sneakers

lFrom left to right (1) Waves for My People // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 71.8 x 57.8 x 5.1 (2) Thai Waves in Scandinavia // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 101 x 85.1 x 5.1 (3) Waves for Breakfast // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 118.8 x 95.9 x 5.1 cm (4) Waves on Beverly // Kendell Carter // 2017 // cast latex & aerosol float mounted in fame // 129.5 x 88.9 x 5.1 cm (5) Dirty Waves // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 137.2 x 121.9 x 5.1 cm (6) Waves for Amit // Kendell Carter // 2017 // cast latex & aerosol float mounted in frame // 153.7 x 125.1 x 5.1 cm (7) Waves for McQueen // Kendell Carter // cast latex & aerosol float mounted in frame // 203.2 x 143.5 x 5.1 cm

Dieter Roth, Björn Roth

FullSizeRender 6.jpgSeydisfjördur Slides – Every View of a Town 1988-1995

In the Book & Printed Matter Lab at Hauser & Wirth Los Angeles is a display of photographs from the Icelandic town of Seydisfjördur. The photographs are not displayed in the traditional manner of ink on paper, rather the photographs are shown on the wall by four projectors. Created by Dieter Roth, his two sons Björn and Karl and Pal Magnússon, the photographs depict the Icelandic landscape, houses and roads. In an adjacent display are notes and the original photographic prints, allowing visitors to see the archived materials.

FullSizeRender 4Seydisfjördur Slides – Every View of a Town 1988-1995

FullSizeRender 8Seydisfjördur Slides – Every View of a Town 1988-1995

FullSizeRender 7Seydisfjördur Slides – Every View of a Town 1988-1995

Hauser & Wirth LA

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London, Somerset, Gstaad, New York. Now Los Angeles. These are the locations of the internationally renowned gallery Hauser & Wirth. Their latest gallery, in Los Angeles, opened last year in the arts district. In an open design concept, the gallery consists of individual rooms to showcase art, an outdoor courtyard, bookstore and restaurant. The restaurant, Manuela, is farm to table, and is equipped with a chicken coop and herb and vegetable garden.

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FullSizeRender 7Pacific Ocean // Mary Heilmann // acrylic paint // 2016

FullSizeRender 8Pacific Ocean // Mary Heilmann // acrylic paint // 2016